MacArthur “genius” choreographer Abraham turns from the political—as in When the Wolves Came In, at the Hop in 2015—to themes of love, longing and loss, inspired by conversations with people of varied ages and backgrounds (including at the Hop last summer). Abraham’s eloquent contemporary vocabulary shines in a series of lush solos, duos and trios.
Program contains nudity.
Funded in part by the Robert Grinnell Fund for the Hopkins Center.
Funded in part by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.