AUDIO-VISION Film Screenings
Weekly film screenings for CoCo16; MUS 17.03; FILM 47.03.
MONDAY 19 SEPTEMBER
Jean Epstein Le Tempestaire (1947)
Music: Yves Baudrier
+Walter Ruttman Weekend (1929)
MONDAY 26 SEPTEMBER
Sergei Eisenstein Alexander Nevsky (1938)
Music: Seguei Prokofiev
MONDAY 3 OCTOBER
References and Sources of Stanley Kubrick 2001 A Space Odyssey (1968)
Universe (1960) Roman Kroitor, Colin Low
Catalog (1961) John Whitney 8 min;
Re-Entry (1963) Jordan Belson 6 min;
+ Atmosphères (1961) Gyorgy Ligeti 9 min.
MONDAY 10 OCTOBER
Andrei Tarkowsky Stalker (1975)
Music: Edward Artemiev
MONDAY 17 OCTOBER
Akira Kurosawa Ran (1985)
Music: Toru Takemitsu
MONDAY 24 OCTOBER
David Lynch Eraserhead (1977)
Music: David Lynch , Alan Splet, Fats Waller, Peter Ivers
MONDAY 31 OCTOBER
Jonathan Glazer Under the skin (2014)
Music: Mica Levi
MONDAY 7 NOVEMBER
Wong Kar-wai, In the mood for love (2001)
Music: Michael Galasso
AUDIO-VISION is an interdisciplinary course exploring the intersection of Film, Music and Sound, navigating alternatively through film and music from both perspectives, proposing a dual approach to the creation of film and music, imaging and sound. Topics ranging from classic Hollywood, European and Asian films will be studied along early sound experi- ments of the avant-garde, audiovisual arts, and contemporary experimental arts practices. The course focuses on the connections between filmmakers, composers and artists, while tracing the evolution of audio-vision and its interconnections with music composition and sound creation. Students will develop individual and group based audio-vision projects and a written report.